Kurt Hentschläger &
Ulf Langheinrich,
from 1991-2004,
worked together as GRANULAR~SYNTHESIS.
All GS works - installations, performances and single screen videos - are available and continue to be exhibited.
Since 2004 both artists are working independently again. Please find their respective solo works at:
kurthentschlager.com
ulflangheinrich.com
GRANULAR SYNTHESIS
Kurt Hentschläger & Ulf Langheinrich
Selected performances and exhibitions
Solo shows
2009
"GRANULAR-SYNTHESIS Retrospective", STRP & MU-Gallery, Eindhoven
2004
FORM & MODELL 5, ACMI (Australian Center for the Moving Image), Melbourne
2003
LUX, Lia Rumma Gallery, Milano
2000
FELD, Wood Street Galleries, Pittsburgh
NOISEGATE, National Museum for Photo Film and TV, Bradford
NOISEGATE, Creative Time Inc / In the Anchorage, New York
1999
NOISEGATE, Kunstverein, Hannover
NOISEGATE, Musée d'Art Contemporain, Montreal
1998
NOISEGATE, MAK, Wien
NOISEGATE, Marstall, Munich
NOISEGATE, Transpennine, Hull
NOISEGATE, Stedelijk Museum / De Ijsbreker, Amsterdam
1995
MODELL 5.2, MAK - Museum of Applied Arts, Vienna
Group shows
2018
<360> 3D version, “Dimensions”, VIA Festival, Manège Maubeuge - Scène Nationale
2017
<360> The Art of Immersion, ZKM Karlsruhe, Germany (as Granular Synthesis)
<360> Digitalife 8, Roma Europa Festival, Rome, Italy
2010
MODELL 5, "Madde-Işik", Borusan Music House, Istanbul
POL, Mapping Festival, Genève
2009
LUX, "Videorama, Artclips from Austria", Galerie Henze & Ketterer, Wichtrach/Bern
LUX, "Videorama, Artclips from Austria" Kunsthalle, Vienna
SINKEN & FORM, “See this Sound”, Lentos Museum Linz
POL, "Un volcan numérique", Le Volcan, Le Havre
FELD, “Sounds and Visions”, Tel Aviv Museum of Art, Tel Aviv
2008
POL, "eLandscapes", eArts Festival / Zendai MoMA, Shanghai
MODELL 5, "Les Voix Magnétiques", Le Tri Postal, Lille
MODELL 5, V2_ / Rotterdam Film Festival, Rotterdam
2007
MODELL 5, "Body Media", O Art Center / Sculpture Art Space, Shanghai
LUX, “What color does a sound make?”, Honolulu
2006
FELD, "Code Blue", Millenium Museum, Beijing
MODELL 5, "Slow Tech", Museum for Contemporary Arts, Taipei
SWEET HEART, "40 Jahre Videokunst Deutschland / ZKM - Kunsthalle, Bremen
LUX, “What color does a sound make?”, The Center for Art and Visual Culture, Baltimore
2005
LUX, “What color does a sound make?” Eyebeam, New York
FELD, Gabinete Literario, Las Palmas de Gran Canaria
FELD, Circulo de Bellas Artes, Santa Cruz de Tenerife
2004
IMMERSIVE WORKS, "Cinémas du Futur", Lille 2004 Cultural Capital of Europe, Lille
LUX, Arborescence Festival, Aix-en-Provence
LUX, Z33, Hasselt
2003
SINKEN, Austrian Cultural Forum, New York
LUX, Centro Nacional de las Artes / Centro Multimedia, Laboratorio Alameda, Mexico City
LUX, IEAR Presents! / Rensselaer Polytechnic Institute, Troy
IMMERSIVE WORKS, "Cinémas du Futur", Lille 2004 Cultural Capital of Europe, Lille
2002
FELD, Municipal Museum of Art, Daejeon
FELD, Musica per gli Occhi, Bolzano
WIDE, Austrian Cultural Forum, New York
2001
RESET, Austrian Pavilion, Venice Biennial, Venezia
2000
FELD, OK-Center, Linz
FORM, PS1-clocktower, New York
1999
MODELL 5, "Face to Face", Beyeler Foundation, Basel
1998
NOISEGATE, Exit Festival, Créteil
NOISEGATE, Via Festival, Maubeuge
MODELL 5, Museum of Contemporary Art, Seoul
1997
SWEET HEART, Kunststücke ORF - Austrian Broadcasting Corporation, Austria
1993
MODELL 4.2, Diagonale, Salzburg MODELL 4.1, WRO 93, Wroclaw
1992
MODELL 4.0, Medienbiennale, Leipzig
Performances
2019
MODELL 5, Tanzwochen Vienna, Austria
2016
MODELL 5, Recombinant Festival, Gray Area, San Francisco, USA
2013
MODELL 5, Mlatforma Media Performance Festival, Center for Contemporary Art, Moscow
2010
AREAL, Fabbrica Europa 2010 - XVII edition, Firenze
2008
POL, Romaeuropa Festival / Officine Marconi, Rome
2007
AREAL, Le Parvis, Ibos-Tarbes
2006
MODELL 5, VEO - Valencia Escena Oberta Festival / Greenspace, Valencia
AREAL, Sonic Acts / Paradiso, Amsterdam
2005
AREAL, Dissonance Festival, Roma
AREAL, Montclair State University / The Alexander Kasser Theater, Montclair
2004
AreaLight, Exit Festival / Maison des Arts, Créteil, Paris
2003
AREAL 3.0, d-motion, Festival für Interaktive Medien / Volkspark, Halle
<360.2>, SAT Montreal, Elektra Festival / USINE C, Montreal
2002
AREAL, CYNETart02_realtime / Festspielhaus, Dresden
MINUS, Wien Modern / Konzerthaus, Wien
AREAL, "Format 2002", Brugge 2002 Cultural Capital of Europe, Brugge <360>, "Villette numérique", La Villette, Paris
MODELL 5.7, Transart, Borgo Valsugana
MODELL 5.7, Schirn Kunst Halle, Frankfurt am Main
FORMEN, Montreal
2001
MODELL 5.7, Göteborg Art Sounds, Göteborg
MODELL 5.7, Arena - Dresdner Zentrum für Zeitgenössische Musik, Dresden
2000
AREAL, Elektra Festival, Montreal
MODELL 5, Elektra Festival, Montréal
POL, Netmage Festival, Bologna
POL, Wien Modern Festival, Vienna
POL, Muffathalle, Munich
POL, Via Festival, Mauberge
AREAL, Musiques en Scène / Musée d'Art Contemporain, Lyon
POL, Exit Festival, Créteil
NOISEGATE, Musiques en Scène / Musée d'Art Contemporain, Lyon FORMEN, Québec
1999
SINKEN, La Luna / Via Festival, Mauberge (with Art Zoyd and Lille National Orchestra)
SINKEN, Le Nouveau Siècle, Lille (with Art Zoyd and Lille National Orchestra)
FORMEN, Zürcher Theater Spektakel, Zurich
FORMEN, Festival d'Automne à Paris / Maison des Arts, Créteil
FORM, Recombinant / Ars Electronica Festival, Linz
MODELL 5.7, Atonal Festival, Berlin
POL 2.0, Zeitfluss / Salzburg Festival, Salzburg
POL 2.0, Taktlos Festival, Bern
POL 2.0, Elektra Festival / ACREQ, Montreal
SINKEN, Palacio de Bella Artes, Mexico City (with Art Zoyd and Mexico National Orchestra)
SINKEN, Donau Festival, Skt Pölten (with Art Zoyd and Niederösterreichisches Tonkünstlerorchester)
1998
MODELL 5.7, Recombinant, Miami
AREAL V, Vergessen, Skt. Veit
MODELL 5.7, Dive into the Future – LISBOA’98, Lisboa POL, Isea 98, Liverpool
POL, Ars Electronica Festival, Linz
POL, Root 98, Hull
POL, ZKM, Karlsruhe
1997
MODELL 5.7, De Ijsbreker, Amsterdam
MODELL 5.7, ACREQ, Montreal
X-TENDED THRILL, ICC, Tokyo (with Sensorband) AREAL A, Steirischer Herbst, Graz
1996
MODELL 5.6, the Butterfly Effect, Budapest
MODELL 5.6, Visas Festival, Mauberge
MODELL 5.6, Exit Festival, Créteil
MODELL 5.6, Elektra, Oslo
MODELL 5.6, Marstall, Munich
MODELL 5.7, 38èmes Rugissants, Grenoble
MODELL 5.7, Recombinant, Los Angeles, San Francisco
1995
MODELL 5.1, Skuc, Ljubljana
MODELL 5.3, Spring Project, Vienna
MODELL 5.4, Artec 95 - City Museum,
Nagoya
MODELL 5.3, Klangart, Osnabrück
MODELL 5.5, Ars Electronica, Linz
MODELL 5.5, Kunstverein, Hanover
MODELL 5.5, ISEA 95, Montreal
MODELL 5.5, Manca Festival, Nice
MODELL 5.5 DEAF 95, Rotterdam
1994
MODELL 3.2, Futur Antérieur, Nancy
MODELL 5, ICA, London
MODELL 5, Root 95, Hull
1993
MODELL 3.2, AVE Festival, Arnheim
MODELL 3.1, Austrian Avant Garde, Antwerp
MODELL 3.1, Les Halles de Schaerbeek, Brussels
1992
MODELL 3.1, Zeitschnitt, Vienna
MODELL 3.1, Transit / ORF, Innsbruck
MODELL 3.0, Tanzsprache, Vienna
Grants & Prices
1999
PS1 Residency New York City
Austrian Federal State Grant for Fine Art
1995
GRAND PRIX Open Competition ARTEC 1995
1993
Austrian Furtherance Prize for new media art
Bibliography
Book Publication
2010
Reas, Casey. Form+code in design, art, and architecture.
New York: Princeton Architectural Press (49-50) ISBN 978-1-56898-937-2
Salter, Chris. Entangled : Technology and the transformation of performance. Cambridge, Mass.: MIT Press (165-166, 174-175) ISBN 978-0-262-19588-1
Spielmann, Yvonne. Hybridkultur.
Berlin: Suhrkamp (154-158, 162, 168, 187) ISBN 978-3-518-29572-4
2009
Rainer, Cosima, Stella Rollig, Dieter Daniels, Manuela Ammer.
See this sound : Versprechungen von Bild und Ton = Promises in sound and vision.
Lentos Kunstmuseum, Linz. Köln: König (164) ISBN 978-3-86560-683-9
Shanken, Edward A. Art and Electronic Media. London: Phaidon (281) ISBN 978-0-7148-4782-5
Elavia, Firoza, ed. Cinematic Folds: the furling and unfurling of images. Toronto: Pleasure Dome (121-123, 133-137) ISBN 978-0-9682115-4-0
1998
Stubbs, Mike. GRANULAR SYNTHESIS,
in Stocker, Gerfried und Christine Schöpf (Hg), INFOWAR, Vienna (252-257) 1996
Richard, Birgit. Motion Control - Ein elektronischer Bildersturm? in Bolz, Norbert (Hg), Riskante Bilder, Munich (117-128)
1993
Hentschläger Ursula. Interview with Hentschläger/Langheinrich.
in Medien. Kunst. Passagen, Vienna (51-54) 1990
Schöllhammer, Georg. The Diana "Lichtwerk." Redesign Diana, Vienna (24-27)
Exhibition Catalogues
2010
Curated by Castelli, Richard (Epidemic). Madde-Işık (Matter-Light), Istanbul (14-25)
2009
Curated by Gioè, Angelo, and Maria Rosa Sossai.
Sounds & visions : Artists' films and videos from Europe : the last decade. Cinisello Balsamo, Milano: Silvana Editoriale (94-99, 189)
2008
Curated by Castelli, Richard (Epidemic). eARTS / eLANDSCAPES, Shanghai (92-93, 256-257)
2007
Curated by Castelli, Richard (Epidemic) & Gong Yan (O Art Centre). Sculpture Art Space. Body Media-International Interactive Art Exhibition, Shanghai (147-159)
2006
Text by Frieling, Rudolf. 1997 SWEET HEART, Granular-Synthesis.
40yearsvideoart.de---Part 1, Digital Heritage: Video Art in Germany from 1963 until the Present. March 25 - May 21 Hatje Cantz Verlag, Ostfildern. (274-277)
ISBN-10: 3-7757-1718-8 ISBN-13: 978-3-7757-1718-2
2004
Curated by Castelli, Richard. Cinémas du Futur. Lille2004 Capitale Européenne de la Culture, Lille (48-49, 95) ISBN 9-07670-461-9
2002
Curated by Rinder, Lawrence and Bahk Jungoo. FELD, Granular-Synthesis. 2002 Media Art: Special Effects. Lee Joongki, Park ILHo, Daejeon.
2001
Curated by Schweeger, Elisabeth. GRANULAR-SYNTHESIS - Austrian Pavilion, The Venice Biennal, Vienna ISBN 3-7757-9094-2
2000
Curated by Schweeger, Elisabeth. "...der körpererfüllte Raum fort und fort" December. OK Centrum für Gegenwartskunst, Linz (18-23) ISBN 3-85307-028-0
Musiques en Scène, l'exposition, Musée d'art contemporain de Lyon, Lyon (16-23)
1999
Curated by Markus Brüderlin. Face to face to cyberspace. Fondation Beyeler, Basel. Beyeler, Ernst (Hg.). Hatje Cantz. ISBN 978-3-90563-206-3 / 3-90563-206-4
1998
Peter Noever, GRANULAR-SYNTHESIS. NOISEGATE M6, MAK, Vienna
Essay by Sherman, Tom. Granular Synthesis. ISBN 3-89322-417-3
1997
Sweet Heart. Media Art Biennale WRO97, Wroclaw (62)
1996
Granular-Synthesis, mädchen.apparate.kunst.
medien, apparate, kunst Projektionsräume. Beispiele apparativer Kunst in Österreich, MAK, Vienna
Electra 96.electra manual. Montreal (101)
1995
DEAF ́95, Exhibition catalogue, Rotterdam (36)
Spiegl, Andreas. Frankensteintechnodrug. Gerbel, Karl und Weibel, Peter (Hg), « Mythos Information. Welcome To The Wired World » Ars electronica catalogue, Vienna-New York (380)
The 4th International Biennale in Nagoya - ARTEC ́95, Nagoya (72-86)
1992
Differenzen, Affinitäten und Brüche. Zeitschnitte. Aktuelle Kunst aus Österreich, Vienna (120-124)
Art Journal
2004
Wesemann, Arnd. Kill Bill Vol.3, ballettanz July, Berlin: Friedrich Berlin Verlag (60-63)
2001
Buchhart, Dieter. “Ihr macht sehr elitäre Kunst” Documentation of the Venice Biennial, Kunstforum Vol. 156, August - October (330-339)
2000
Richard, Birgit. Flash-Portions. Kunstforum Vol. 151, July - September (190-195)
1999
Phillips, Christopher. Machine Dreams. Art in America. November (110-113)
1998
Hart, Claudia. GRANULAR SYNTHESIS, Interview with Kurt Hentschläger ARTBYTE Vol. 1, no. 5 (Dec. 1998-Jan. 1999) (32-37)
1997
Wesemann, Arnd. Binäre Tänze. Ballett international. tanz aktuell, May. Seelze (38) Schachinger, Christian. Pixel gegen Bio-Einheiten. Der Standard, October 25, Vienna
Wolkinger, Thomas. Ganzkörpermassage. Die Presse, October 25, Vienna
Davis, Erik. global ear. Wire, January, San Francisco (155)
1996
Cecchetto, Paolo. Granular Synthesis. Juliet Art Magazine, #76, Triest (49)
1995
Flos, Birgit. Welcome to MediaMOO**** Type. DU, 1, Januar, Zürich (30-34)
Reviews and essays 2010
Verstraete, Pieter. Long Hard Looks / Het verlangen van het luisteren. NY web. March 19. Over de esthetiek van verstoring in de installatiekunst van Granular Synthesis. http://www.ny-web.be/long-hard-looks/het-verlangen-van-het-luisteren.html
2003
Toussignant, François. Fasten Your Seatbelts / Attachez vos tuques !!! Le Devoir, Montréal
2000
Clark, Robert. Noisegate National Museum of Photography, Film & Television, Bradford.
Shearing, Graham. FIELD OF BEAMS: GRANULAR SYNTHESIS explores the landscape of digital culture. Pittsburg Tribune Review. November, 3.
Dyer, Rob. GRANULAR SYNTHESIS - "NOISEGATE" National Museum of Photography, Film & Television, Bradford. http://www.dso.co.uk/gig39.htm
Bracewell, Michael. Sensory assault on audience in Bradford. The Independent, August 6, London 1999
Leoudak, Zoe. Hearing the Noise: Revolution. International Symposium on Electronic Art (ISEA98). Sculpture Magazine, May Vol.18 No. 4, Liverpool
Lamarche, Bernard. Between Spell and Irritation: NOISEGATE, GRANULAR SYNTHESIS. Le Devoir, April 17, Montreal
Hofleitner, Johanna. Höllentore und maximales Lärmen. Die Presse, January 20, Vienna
Buchwald, Sabine. Ausbruch statt Input. Sueddeutsche Zeitung, February 19, Munich
Borchhardt-Birbaumer, Brigitte. Maschinenmenschen im dunklen Raum, Wiener Zeitung, January 28, Vienna
1998
Rivoire Annick. POL, fascisme musical ou génie précurseur? Liberation, September 18, Paris
Rimbaud, Robin. Robin Rimbaud crosses the NoiseGate with Granular Synthesis. The Wire #174, August, London (76)
1997
Körper-Experimente im psychotischen Triebwerk : Granular=Synthesis im Steirischen Herbst.
Salzburger Nachrichten. October 27.
1995
Essay by Flos, Birgit. Motion Control - Shared Pain: Man and Machine.
MOTION CONTROL. MODELL 5 by GRANULAR SYNTHESIS at the Kunstverein, Hannover.
Fortier, Denis. Festival Manca. Le Monde, December. Paris.
1994
Edge, Nina. Eikon # 10-11. 1993
Feuerstein, Thomas. Pyramedia / Granular-Synthesis Modell 3.02. Grundmann, Heidi (Hg), Transit #1, Innsbruck (84-87)
1992
Feuerstein, Thomas. Modell 3.1: A multi-media live environment by Kurt Hentschläger and Ulf Langheinrich. Catalogue text for TRANSIT 92
DVD-ROM
2009
KUNSTHALLE wien et al. Videorama: Artclips from Austria.
ISBN 978-3-7165-1614-0 (ger.) ISBN 978-3-7165-1616-4 (eng.)
2006
Frieling, Rudolf. 1997 Sweet Heart GRANULAR SYNTHESIS.
DVD-ROM in conjunction with the exhibition 40yearsvideoart.de
- Part 1, Digital Heritage: Video Art in Germany from 1963 until the Present. March 25 - May 21 (274-277)
2005
INDEX.DVD - Granular-Synthesis
Remixes for Single Screen "Reset", 2001, 25 min, and "Model 5", 1994, 30 min, published and distributed by ARGE INDEX (Medienwerkstatt Wien & sixpackfilm) http://index-dvd.at/en/program/003/index.html
2004
GRANULAR SYNTHESIS - IMMERSIVE WORKS.
A DVD compilation with extracts and documentation of Granular~Synthesis' work over ten years. Publication: ZKM Karlsruhe / Distribution: Cantz ISBN 978-3-7757-1351-1
http://www.hatjecantz.de/controller.php?cmd=schnellsuche&s=immersive+works
Kurt Hentschläger & Ulf Langheinrich
Selected performances and exhibitions
Solo shows
2009
"GRANULAR-SYNTHESIS Retrospective", STRP & MU-Gallery, Eindhoven
2004
FORM & MODELL 5, ACMI (Australian Center for the Moving Image), Melbourne
2003
LUX, Lia Rumma Gallery, Milano
2000
FELD, Wood Street Galleries, Pittsburgh
NOISEGATE, National Museum for Photo Film and TV, Bradford
NOISEGATE, Creative Time Inc / In the Anchorage, New York
1999
NOISEGATE, Kunstverein, Hannover
NOISEGATE, Musée d'Art Contemporain, Montreal
1998
NOISEGATE, MAK, Wien
NOISEGATE, Marstall, Munich
NOISEGATE, Transpennine, Hull
NOISEGATE, Stedelijk Museum / De Ijsbreker, Amsterdam
1995
MODELL 5.2, MAK - Museum of Applied Arts, Vienna
Group shows
2018
<360> 3D version, “Dimensions”, VIA Festival, Manège Maubeuge - Scène Nationale
2017
<360> The Art of Immersion, ZKM Karlsruhe, Germany (as Granular Synthesis)
<360> Digitalife 8, Roma Europa Festival, Rome, Italy
2010
MODELL 5, "Madde-Işik", Borusan Music House, Istanbul
POL, Mapping Festival, Genève
2009
LUX, "Videorama, Artclips from Austria", Galerie Henze & Ketterer, Wichtrach/Bern
LUX, "Videorama, Artclips from Austria" Kunsthalle, Vienna
SINKEN & FORM, “See this Sound”, Lentos Museum Linz
POL, "Un volcan numérique", Le Volcan, Le Havre
FELD, “Sounds and Visions”, Tel Aviv Museum of Art, Tel Aviv
2008
POL, "eLandscapes", eArts Festival / Zendai MoMA, Shanghai
MODELL 5, "Les Voix Magnétiques", Le Tri Postal, Lille
MODELL 5, V2_ / Rotterdam Film Festival, Rotterdam
2007
MODELL 5, "Body Media", O Art Center / Sculpture Art Space, Shanghai
LUX, “What color does a sound make?”, Honolulu
2006
FELD, "Code Blue", Millenium Museum, Beijing
MODELL 5, "Slow Tech", Museum for Contemporary Arts, Taipei
SWEET HEART, "40 Jahre Videokunst Deutschland / ZKM - Kunsthalle, Bremen
LUX, “What color does a sound make?”, The Center for Art and Visual Culture, Baltimore
2005
LUX, “What color does a sound make?” Eyebeam, New York
FELD, Gabinete Literario, Las Palmas de Gran Canaria
FELD, Circulo de Bellas Artes, Santa Cruz de Tenerife
2004
IMMERSIVE WORKS, "Cinémas du Futur", Lille 2004 Cultural Capital of Europe, Lille
LUX, Arborescence Festival, Aix-en-Provence
LUX, Z33, Hasselt
2003
SINKEN, Austrian Cultural Forum, New York
LUX, Centro Nacional de las Artes / Centro Multimedia, Laboratorio Alameda, Mexico City
LUX, IEAR Presents! / Rensselaer Polytechnic Institute, Troy
IMMERSIVE WORKS, "Cinémas du Futur", Lille 2004 Cultural Capital of Europe, Lille
2002
FELD, Municipal Museum of Art, Daejeon
FELD, Musica per gli Occhi, Bolzano
WIDE, Austrian Cultural Forum, New York
2001
RESET, Austrian Pavilion, Venice Biennial, Venezia
2000
FELD, OK-Center, Linz
FORM, PS1-clocktower, New York
1999
MODELL 5, "Face to Face", Beyeler Foundation, Basel
1998
NOISEGATE, Exit Festival, Créteil
NOISEGATE, Via Festival, Maubeuge
MODELL 5, Museum of Contemporary Art, Seoul
1997
SWEET HEART, Kunststücke ORF - Austrian Broadcasting Corporation, Austria
1993
MODELL 4.2, Diagonale, Salzburg MODELL 4.1, WRO 93, Wroclaw
1992
MODELL 4.0, Medienbiennale, Leipzig
Performances
2019
MODELL 5, Tanzwochen Vienna, Austria
2016
MODELL 5, Recombinant Festival, Gray Area, San Francisco, USA
2013
MODELL 5, Mlatforma Media Performance Festival, Center for Contemporary Art, Moscow
2010
AREAL, Fabbrica Europa 2010 - XVII edition, Firenze
2008
POL, Romaeuropa Festival / Officine Marconi, Rome
2007
AREAL, Le Parvis, Ibos-Tarbes
2006
MODELL 5, VEO - Valencia Escena Oberta Festival / Greenspace, Valencia
AREAL, Sonic Acts / Paradiso, Amsterdam
2005
AREAL, Dissonance Festival, Roma
AREAL, Montclair State University / The Alexander Kasser Theater, Montclair
2004
AreaLight, Exit Festival / Maison des Arts, Créteil, Paris
2003
AREAL 3.0, d-motion, Festival für Interaktive Medien / Volkspark, Halle
<360.2>, SAT Montreal, Elektra Festival / USINE C, Montreal
2002
AREAL, CYNETart02_realtime / Festspielhaus, Dresden
MINUS, Wien Modern / Konzerthaus, Wien
AREAL, "Format 2002", Brugge 2002 Cultural Capital of Europe, Brugge <360>, "Villette numérique", La Villette, Paris
MODELL 5.7, Transart, Borgo Valsugana
MODELL 5.7, Schirn Kunst Halle, Frankfurt am Main
FORMEN, Montreal
2001
MODELL 5.7, Göteborg Art Sounds, Göteborg
MODELL 5.7, Arena - Dresdner Zentrum für Zeitgenössische Musik, Dresden
2000
AREAL, Elektra Festival, Montreal
MODELL 5, Elektra Festival, Montréal
POL, Netmage Festival, Bologna
POL, Wien Modern Festival, Vienna
POL, Muffathalle, Munich
POL, Via Festival, Mauberge
AREAL, Musiques en Scène / Musée d'Art Contemporain, Lyon
POL, Exit Festival, Créteil
NOISEGATE, Musiques en Scène / Musée d'Art Contemporain, Lyon FORMEN, Québec
1999
SINKEN, La Luna / Via Festival, Mauberge (with Art Zoyd and Lille National Orchestra)
SINKEN, Le Nouveau Siècle, Lille (with Art Zoyd and Lille National Orchestra)
FORMEN, Zürcher Theater Spektakel, Zurich
FORMEN, Festival d'Automne à Paris / Maison des Arts, Créteil
FORM, Recombinant / Ars Electronica Festival, Linz
MODELL 5.7, Atonal Festival, Berlin
POL 2.0, Zeitfluss / Salzburg Festival, Salzburg
POL 2.0, Taktlos Festival, Bern
POL 2.0, Elektra Festival / ACREQ, Montreal
SINKEN, Palacio de Bella Artes, Mexico City (with Art Zoyd and Mexico National Orchestra)
SINKEN, Donau Festival, Skt Pölten (with Art Zoyd and Niederösterreichisches Tonkünstlerorchester)
1998
MODELL 5.7, Recombinant, Miami
AREAL V, Vergessen, Skt. Veit
MODELL 5.7, Dive into the Future – LISBOA’98, Lisboa POL, Isea 98, Liverpool
POL, Ars Electronica Festival, Linz
POL, Root 98, Hull
POL, ZKM, Karlsruhe
1997
MODELL 5.7, De Ijsbreker, Amsterdam
MODELL 5.7, ACREQ, Montreal
X-TENDED THRILL, ICC, Tokyo (with Sensorband) AREAL A, Steirischer Herbst, Graz
1996
MODELL 5.6, the Butterfly Effect, Budapest
MODELL 5.6, Visas Festival, Mauberge
MODELL 5.6, Exit Festival, Créteil
MODELL 5.6, Elektra, Oslo
MODELL 5.6, Marstall, Munich
MODELL 5.7, 38èmes Rugissants, Grenoble
MODELL 5.7, Recombinant, Los Angeles, San Francisco
1995
MODELL 5.1, Skuc, Ljubljana
MODELL 5.3, Spring Project, Vienna
MODELL 5.4, Artec 95 - City Museum,
Nagoya
MODELL 5.3, Klangart, Osnabrück
MODELL 5.5, Ars Electronica, Linz
MODELL 5.5, Kunstverein, Hanover
MODELL 5.5, ISEA 95, Montreal
MODELL 5.5, Manca Festival, Nice
MODELL 5.5 DEAF 95, Rotterdam
1994
MODELL 3.2, Futur Antérieur, Nancy
MODELL 5, ICA, London
MODELL 5, Root 95, Hull
1993
MODELL 3.2, AVE Festival, Arnheim
MODELL 3.1, Austrian Avant Garde, Antwerp
MODELL 3.1, Les Halles de Schaerbeek, Brussels
1992
MODELL 3.1, Zeitschnitt, Vienna
MODELL 3.1, Transit / ORF, Innsbruck
MODELL 3.0, Tanzsprache, Vienna
Grants & Prices
1999
PS1 Residency New York City
Austrian Federal State Grant for Fine Art
1995
GRAND PRIX Open Competition ARTEC 1995
1993
Austrian Furtherance Prize for new media art
Bibliography
Book Publication
2010
Reas, Casey. Form+code in design, art, and architecture.
New York: Princeton Architectural Press (49-50) ISBN 978-1-56898-937-2
Salter, Chris. Entangled : Technology and the transformation of performance. Cambridge, Mass.: MIT Press (165-166, 174-175) ISBN 978-0-262-19588-1
Spielmann, Yvonne. Hybridkultur.
Berlin: Suhrkamp (154-158, 162, 168, 187) ISBN 978-3-518-29572-4
2009
Rainer, Cosima, Stella Rollig, Dieter Daniels, Manuela Ammer.
See this sound : Versprechungen von Bild und Ton = Promises in sound and vision.
Lentos Kunstmuseum, Linz. Köln: König (164) ISBN 978-3-86560-683-9
Shanken, Edward A. Art and Electronic Media. London: Phaidon (281) ISBN 978-0-7148-4782-5
Elavia, Firoza, ed. Cinematic Folds: the furling and unfurling of images. Toronto: Pleasure Dome (121-123, 133-137) ISBN 978-0-9682115-4-0
1998
Stubbs, Mike. GRANULAR SYNTHESIS,
in Stocker, Gerfried und Christine Schöpf (Hg), INFOWAR, Vienna (252-257) 1996
Richard, Birgit. Motion Control - Ein elektronischer Bildersturm? in Bolz, Norbert (Hg), Riskante Bilder, Munich (117-128)
1993
Hentschläger Ursula. Interview with Hentschläger/Langheinrich.
in Medien. Kunst. Passagen, Vienna (51-54) 1990
Schöllhammer, Georg. The Diana "Lichtwerk." Redesign Diana, Vienna (24-27)
Exhibition Catalogues
2010
Curated by Castelli, Richard (Epidemic). Madde-Işık (Matter-Light), Istanbul (14-25)
2009
Curated by Gioè, Angelo, and Maria Rosa Sossai.
Sounds & visions : Artists' films and videos from Europe : the last decade. Cinisello Balsamo, Milano: Silvana Editoriale (94-99, 189)
2008
Curated by Castelli, Richard (Epidemic). eARTS / eLANDSCAPES, Shanghai (92-93, 256-257)
2007
Curated by Castelli, Richard (Epidemic) & Gong Yan (O Art Centre). Sculpture Art Space. Body Media-International Interactive Art Exhibition, Shanghai (147-159)
2006
Text by Frieling, Rudolf. 1997 SWEET HEART, Granular-Synthesis.
40yearsvideoart.de---Part 1, Digital Heritage: Video Art in Germany from 1963 until the Present. March 25 - May 21 Hatje Cantz Verlag, Ostfildern. (274-277)
ISBN-10: 3-7757-1718-8 ISBN-13: 978-3-7757-1718-2
2004
Curated by Castelli, Richard. Cinémas du Futur. Lille2004 Capitale Européenne de la Culture, Lille (48-49, 95) ISBN 9-07670-461-9
2002
Curated by Rinder, Lawrence and Bahk Jungoo. FELD, Granular-Synthesis. 2002 Media Art: Special Effects. Lee Joongki, Park ILHo, Daejeon.
2001
Curated by Schweeger, Elisabeth. GRANULAR-SYNTHESIS - Austrian Pavilion, The Venice Biennal, Vienna ISBN 3-7757-9094-2
2000
Curated by Schweeger, Elisabeth. "...der körpererfüllte Raum fort und fort" December. OK Centrum für Gegenwartskunst, Linz (18-23) ISBN 3-85307-028-0
Musiques en Scène, l'exposition, Musée d'art contemporain de Lyon, Lyon (16-23)
1999
Curated by Markus Brüderlin. Face to face to cyberspace. Fondation Beyeler, Basel. Beyeler, Ernst (Hg.). Hatje Cantz. ISBN 978-3-90563-206-3 / 3-90563-206-4
1998
Peter Noever, GRANULAR-SYNTHESIS. NOISEGATE M6, MAK, Vienna
Essay by Sherman, Tom. Granular Synthesis. ISBN 3-89322-417-3
1997
Sweet Heart. Media Art Biennale WRO97, Wroclaw (62)
1996
Granular-Synthesis, mädchen.apparate.kunst.
medien, apparate, kunst Projektionsräume. Beispiele apparativer Kunst in Österreich, MAK, Vienna
Electra 96.electra manual. Montreal (101)
1995
DEAF ́95, Exhibition catalogue, Rotterdam (36)
Spiegl, Andreas. Frankensteintechnodrug. Gerbel, Karl und Weibel, Peter (Hg), « Mythos Information. Welcome To The Wired World » Ars electronica catalogue, Vienna-New York (380)
The 4th International Biennale in Nagoya - ARTEC ́95, Nagoya (72-86)
1992
Differenzen, Affinitäten und Brüche. Zeitschnitte. Aktuelle Kunst aus Österreich, Vienna (120-124)
Art Journal
2004
Wesemann, Arnd. Kill Bill Vol.3, ballettanz July, Berlin: Friedrich Berlin Verlag (60-63)
2001
Buchhart, Dieter. “Ihr macht sehr elitäre Kunst” Documentation of the Venice Biennial, Kunstforum Vol. 156, August - October (330-339)
2000
Richard, Birgit. Flash-Portions. Kunstforum Vol. 151, July - September (190-195)
1999
Phillips, Christopher. Machine Dreams. Art in America. November (110-113)
1998
Hart, Claudia. GRANULAR SYNTHESIS, Interview with Kurt Hentschläger ARTBYTE Vol. 1, no. 5 (Dec. 1998-Jan. 1999) (32-37)
1997
Wesemann, Arnd. Binäre Tänze. Ballett international. tanz aktuell, May. Seelze (38) Schachinger, Christian. Pixel gegen Bio-Einheiten. Der Standard, October 25, Vienna
Wolkinger, Thomas. Ganzkörpermassage. Die Presse, October 25, Vienna
Davis, Erik. global ear. Wire, January, San Francisco (155)
1996
Cecchetto, Paolo. Granular Synthesis. Juliet Art Magazine, #76, Triest (49)
1995
Flos, Birgit. Welcome to MediaMOO**** Type. DU, 1, Januar, Zürich (30-34)
Reviews and essays 2010
Verstraete, Pieter. Long Hard Looks / Het verlangen van het luisteren. NY web. March 19. Over de esthetiek van verstoring in de installatiekunst van Granular Synthesis. http://www.ny-web.be/long-hard-looks/het-verlangen-van-het-luisteren.html
2003
Toussignant, François. Fasten Your Seatbelts / Attachez vos tuques !!! Le Devoir, Montréal
2000
Clark, Robert. Noisegate National Museum of Photography, Film & Television, Bradford.
Shearing, Graham. FIELD OF BEAMS: GRANULAR SYNTHESIS explores the landscape of digital culture. Pittsburg Tribune Review. November, 3.
Dyer, Rob. GRANULAR SYNTHESIS - "NOISEGATE" National Museum of Photography, Film & Television, Bradford. http://www.dso.co.uk/gig39.htm
Bracewell, Michael. Sensory assault on audience in Bradford. The Independent, August 6, London 1999
Leoudak, Zoe. Hearing the Noise: Revolution. International Symposium on Electronic Art (ISEA98). Sculpture Magazine, May Vol.18 No. 4, Liverpool
Lamarche, Bernard. Between Spell and Irritation: NOISEGATE, GRANULAR SYNTHESIS. Le Devoir, April 17, Montreal
Hofleitner, Johanna. Höllentore und maximales Lärmen. Die Presse, January 20, Vienna
Buchwald, Sabine. Ausbruch statt Input. Sueddeutsche Zeitung, February 19, Munich
Borchhardt-Birbaumer, Brigitte. Maschinenmenschen im dunklen Raum, Wiener Zeitung, January 28, Vienna
1998
Rivoire Annick. POL, fascisme musical ou génie précurseur? Liberation, September 18, Paris
Rimbaud, Robin. Robin Rimbaud crosses the NoiseGate with Granular Synthesis. The Wire #174, August, London (76)
1997
Körper-Experimente im psychotischen Triebwerk : Granular=Synthesis im Steirischen Herbst.
Salzburger Nachrichten. October 27.
1995
Essay by Flos, Birgit. Motion Control - Shared Pain: Man and Machine.
MOTION CONTROL. MODELL 5 by GRANULAR SYNTHESIS at the Kunstverein, Hannover.
Fortier, Denis. Festival Manca. Le Monde, December. Paris.
1994
Edge, Nina. Eikon # 10-11. 1993
Feuerstein, Thomas. Pyramedia / Granular-Synthesis Modell 3.02. Grundmann, Heidi (Hg), Transit #1, Innsbruck (84-87)
1992
Feuerstein, Thomas. Modell 3.1: A multi-media live environment by Kurt Hentschläger and Ulf Langheinrich. Catalogue text for TRANSIT 92
DVD-ROM
2009
KUNSTHALLE wien et al. Videorama: Artclips from Austria.
ISBN 978-3-7165-1614-0 (ger.) ISBN 978-3-7165-1616-4 (eng.)
2006
Frieling, Rudolf. 1997 Sweet Heart GRANULAR SYNTHESIS.
DVD-ROM in conjunction with the exhibition 40yearsvideoart.de
- Part 1, Digital Heritage: Video Art in Germany from 1963 until the Present. March 25 - May 21 (274-277)
2005
INDEX.DVD - Granular-Synthesis
Remixes for Single Screen "Reset", 2001, 25 min, and "Model 5", 1994, 30 min, published and distributed by ARGE INDEX (Medienwerkstatt Wien & sixpackfilm) http://index-dvd.at/en/program/003/index.html
2004
GRANULAR SYNTHESIS - IMMERSIVE WORKS.
A DVD compilation with extracts and documentation of Granular~Synthesis' work over ten years. Publication: ZKM Karlsruhe / Distribution: Cantz ISBN 978-3-7757-1351-1
http://www.hatjecantz.de/controller.php?cmd=schnellsuche&s=immersive+works